Enki and the world order
- 404
unu2 šuba-a šu ḫe2-em-ma-an-ti nu-gig an-na ḫe2-em
- 405
an-e ḫe2-em-ma-gub kurku2-a ḫe2-em-ma-ab-be2
- 406
nin9 e-ĝu10 kug {d}nin-mug-ke4
My illustrious sister, holy Ninmug, is to get the golden chisel and the silver burin. She is to carry off her big flint antasura blade. She is to be the metal-worker of the Land. The fitting of the good diadem when a king is born and the crowning with the crown when a lord is born are to be in her hands.
- 407
bulug kug-sig17 ma-an-ga-ra kug-babbar šu ḫe2-em-ma-an-ti
- 408
{na4}ĝiri2-zu2-gal an-ta-sur-ra-ni ḫe2-em-ma-da-an-ri
- 409
tibira kalam-ma ḫe2-em
- 410
lugal u3-tud suḫ zid keše2-de3
- 411
en u3-tud saĝ-men ĝa2-ĝa2 šu-na ḫe2-en-ĝal2
- 412
nin9 e-ĝu10 kug {d}nisaba-ke4
My illustrious sister, holy Nisaba, is to get the measuring-reed. The lapis-lazuli measuring tape is to hang over her arm. She is to proclaim all the great powers. She is to demarcate boundaries and mark borders. She is to be the scribe of the Land. The planning of the gods' meals is to be in her hands.
- 413
gi-1-nindan šu ḫe2-em-ma-an-ti
- 414
eš2 za-gin3 a2-na ḫa-ba-an-la2
- 415
me gal-gal-e gu3 ḫa-ba-an-de2-e
- 416
in ḫe2-dub-e ki ḫe2-sur-re dub-sar kalam-ma ḫe2-em
- 417
naĝ gu7 diĝir-re-e-ne-ke4 šu-ni-a ḫe2-en-ĝal2
- 418
{d}nanše nin uru16-e u5<{mušen}> kug-ga ĝiri3-ni-še3 ba-an-gub
Nanše, the august lady, who rests her feet on the holy pelican, is to be the fisheries inspector of the sea. She is to be responsible for accepting delectable fish and delicious birds from there to go to Nibru for her father Enlil.
- 419
enkud [a]-ab-ba-ka ḫe2-em
- 420
ku6 niĝ2 dug3-dug3 mušen niĝ2 ku7-ku7
- 421
a-a-ni {d}en-lil2-ra nibru{ki}-še3 šu ḫu-mu-na-ra-gid2-i
- 422
munus-me-en dili-ĝu10-ne a-na bi2-ak
But why did you treat me, the woman, in an exceptional manner? I am holy Inana -- where are my functions?
- 423
⌈kug⌉ {d}inana-me-en mar-za-ĝu10 me-a
- 424
⌈{d}⌉[en]-ki-ke4 dumu-ni kug {d}inana-ra [mu]-na-ni-ib2-gi4-gi4
Enki answered his daughter, holy Inana : How have I disparaged you? Goddess, how have I disparaged you? How can I enhance you? Maiden Inana, how have I disparaged you? How can I enhance you? I made you speak as a woman with pleasant voice. I made you go forth ……. I covered …… with a garment. I made you exchange its right side and its left side. I clothed you in garments of women's power. I put women's speech in your mouth. I placed in your hands the spindle and the hairpin. I …… to you women's adornment. I settled on you the staff and the crook, with the shepherd's stick beside them.
- 425
[a-na] a-ra-an-la2
- 426
[in]-⌈nin9⌉ a-na a-ra-an-la2 [a-na a]-⌈ra⌉-ab-taḫ-e-de3-en
- 427
[ki-sikil] {d}inana a-na a-ra-an-la2 [a-na a-ra]-ab-taḫ-e-de3-en
- 428
munus ⌈?⌉ [sag9]-ge gu3 ḫa-ba-e-de2
- 429
a2-bi-⌈? ḫa⌉-ba-e-⌈re-a⌉-ed3
- 430
a2 ur-saĝ-ba tug2 ḫe2-em-mi-dul
- 431
zag zid-da-bi zag gab2-bu-⌈bi⌉ šu bal ḫe2-ba-e-ni-⌈in⌉-[ak]
- 432
tug2 a2 munus-a ḫe2-em-mi-mur10
- 433
eme munus-a ka-ba ḫa-ba-e-ni-ĝar
- 434
{ĝiš}bal {ĝiš}kirid šu-še3 ḫe2-em-mi-šum2
- 435
munus še-er-ka-an-⌈?⌉ [X]-⌈?⌉ ḫa-ba-e-ri-a-dug4
- 436
⌈ešgiri2 šibir⌉ {ĝiš}ma-nu nam-sipad-da zag-ba ḫe2-em-de3-gub
- 437
ki-sikil {d}inana a-na-ra-la2 a-na-ra-ab-taḫ-e-en-de3-en
Maiden Inana, how have I disparaged you? How can I enhance you? Amongst the ominous ocurrences in the hurly-burly of battle, I shall make you speak vivifying words; and in its midst, although you are not an arabu bird, I shall make you speak ill-omened words also. I made you tangle straight threads; maiden Inana, I made you straighten out tangled threads. I made you put on garments, I made you dress in linen. I made you pick out the tow from the fibres, I made you spin with the spindle. I made you colour tufted (?) cloth with coloured threads.
- 438
me3 šen-šen-na inim-ĝar-ra-ba inim til3-a ḫe2-ne-de3-en
- 439
murub4-ba a12-ra2-bu{mušen} nu-me-en-na inim ḫul ḫu-mu-ne-de3-en
- 440
gu si sa2-a ḫu-mu-e-suḫ3-suḫ3
- 441
ki-sikil {d}inana gu suḫ3-a si ḫu-mu-e-ni-sa2
- 442
tug2 ḫu-mu-e-ni-ĝar gada ḫu-mu-e-ni-mur10
- 443
mug ḫu-mu-e-ni-dun {ĝiš}bal ḫu-mu-e-ni-NU
- 444
[tug2] ⌈guz⌉-za gu-du gun3-a ḫu-mu-e-ni-gun3
- 445
{d}inana saĝ saḫar-re-eš ḫe2-mu-e-dub saĝ numun-e-eš ḫe2-mu-e-ĝar
Inana, you heap up human heads like piles of dust, you sow heads like seed. Inana, you destroy what should not be destroyed; you create what should not be created. You remove the cover from the šem drum of lamentations, Maiden Inana, while shutting up the tigi and adab instruments in their homes. You never grow weary with admirers looking at you. Maiden Inana, you know nothing of tying the ropes on deep wells.
- 446
{d}inana niĝ2 nu-gul-u3 ḫe2-mu-e-gul niĝ2 nu-sig10-ge5 ḫe2-mu-e-sig10
- 447
šem3 a-nir-ra-da tug2 ḫe2-em-mi-si-ig
- 448
ki-sikil {d}inana tigi a-da-ab e2-ba ḫe2-em-mi-gi4
- 449
lu2 u6 di igi nu-kuš2-u3-me-en
- 450
ki-sikil {d}inana pu2 su3-ra2 eš2 la2 nu-zu-me-en
- 451
i3-ne-eš2 šag4 gu2-bi nam-gi4 kalam ki-bi ḫe2-em-gi4
But now, the heart has overflowed, the Land is restored; Enlil's heart has overflowed, the Land is restored. In his overflowing heart of mankind, (4 lines unclear) …… lapis-lazuli headdress …… is your prerogative, …… is your prerogative, …… is your prerogative, …… is your prerogative. (10 lines unclear)
- 452
šag4 ⌈{d}⌉en-lil2-la2 gu2-bi nam-gi4 kalam ki-bi ḫe2-em-gi4
- 453
šag4 gu2-bi gi4-a nam-lu2-u18-lu-ka
- 454
[…] X E X X niĝ2 nam-ba-e-ĝa2-ĝa2
- 455
[…] tab-ba-zu ḫe2-a
- 456
[…] mu-e-da-an-TI
- 457
[…]-⌈ne⌉-ke4
- 458
[…] suḫ10 za-gin3 [… nam]-⌈en⌉-na-zu-um
- 459
[…] X A [… nam-en-na]-zu-um
- 460
[…] ⌈gu3⌉ de2-de2-bi [… nam-en-na]-zu-um
- 461
[…] X GI EN [… nam]-en-na-zu-um
- 462
[…] X DA […]-⌈da-an⌉-DU
- 463
[…]-⌈un⌉-da-sa2-sa2-e-ne
- 464
[…] mu-ra-ni-ib-X
- 465
[…]-ra-teĝ3-ĝe26-ne
- 466
[…] ⌈ĝar⌉-ra-⌈a⌉
- 467
[…]-ab-SAR-SAR-ne
- 468
[…]-ge-ne
- 469
[…] tuku
- 470
[…] X-a
- 471
[…] X-ba
- 472
[a-a {d}en-ki za3]-mi2
Praise be to Father Enki.
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The Electronic Text Corpus of Sumerian Literature (ETCSL), Faculty of Oriental Studies, University of Oxford. Copyright holders: Jeremy Black, Graham Cunningham, Jarle Ebeling, Esther Flückiger-Hawker, Eleanor Robson, Jon Taylor and Gábor Zólyomi. Licence: CC BY-NC-SA 3.0. Source.