Description of Greece
- 3.9.4.1
Agesilaus, then, claimed to be king of a more prosperous city than was Agamemnon, and to be like him overlord of all Greece, and that it would be a more glorious success to conquer Artaxerxes and acquire the riches of Persia than to destroy the empire of Priam. but even as he was sacrificing armed Thebans came upon him, threw dawn from the altar the still burning thighbones of the victims, and drove him from the sanctuary.
- 3.9.5.1
Though vexed that the sacrifice was not completed, Agesilaus nevertheless crossed into Asia and launched an attack against Sardes for Lydia at this period was the most important district of lower Asia, and Sardes, pre-eminent for its wealth and resources, had been assigned as a residence to the satrap of the coast region, just as Susa had been to the king himself.
- 3.9.6.1
A battle was fought on the plain of the Hermus with Tissaphernes, satrap of the parts around Ionia, in which Agesilaus conquered the cavalry of the Persians and the infantry, of which the muster on this occasion had been surpassed only in the expedition of Xerxes and in the earlier ones of Dareius against the Scythians and against Athens. The Lacedaemonians, admiring the energy of Agesilaus, added to his command the control of the fleet. But Agesilaus made his brother-in-law, Peisander, admiral, and devoted himself to carrying on the war vigorously by land.
- 3.9.7.1
The jealousy of some deity prevented him from bringing his plans to their conclusion. For when Artaxerxes heard of the victories won by Agesilaus, and how, by attending to the task that lay before him, he advanced with his army even further and further, he put Tissaphernes to death in spite of his previous services, and sent down to the sea Tithraustes, a clever schemer who had some grudge against the Lacedaemonians.
- 3.9.8.1
On his arrival at Sardes he at once thought out a plan by which to force the Lacedaemonians to recall their army from Asia. He sent Timocrates, a Rhodian, to Greece with money, instructing him to stir up in Greece a war against the Lacedaemonians. Those who shared in this money are said to have been the Argives Cylon and Sodamas, the Thebans Androcleides, Ismenias and Amphithemis, the Athenians Cephalus and Epicrates, with the Corinthians who had Argive sympathies, Polyanthes and Timolaus.
- 3.9.9.1
But those who first openly started the war were the Locrians from Amphissa. For there happened to be a piece of land the ownership of which was a matter of dispute between the Locrians and the Phocians. Egged on by Ismenias and his party at Thebes, the Locrians cut the ripe corn in this land and drove off the booty. The Phocians on their side invaded Locris with all their forces, and laid waste the land.
- 3.9.10.1
So the Locrians brought in the Thebans as allies, and devastated Phocis. Going to Lacedaemon the Phocians inveighed against the Thebans, and set forth what they had suffered at their hands. The Lacedaemonians determined to make war against Thebes, chief among their grievances being the outrageous way the Thebans behaved towards Agesilaus when he was sacrificing at Aulis.
- 3.9.11.1
The Athenians receiving early intimation of the Lacedaemonians' intentions, sent to Sparta begging them to submit their grievances to a court of arbitration instead of appealing to arms, but the Lacedaemonians dismissed the envoys in anger. The sequel, how the Lacedaemonians set forth and how Lysander died, I have already described in my account of Pausanias.
- 3.9.12.1
And what was called the Corinthian war, which continually became more serious, had its origin in the expedition of the Lacedaemonians into Boeotia. So these circumstances compelled Agesilaus to lead his army back from Asia. Crossing with his fleet from Abydos to Sestos he passed through Thrace as far as Thessaly, where the Thessalians, to please the Thebans, tried to prevent his further progress; there was also an old friendship between them and Athens.
- 3.9.13.1
But Agesilaus put the Thessalian cavalry to flight and passed through Thessaly, and again made his way through Boeotia, winning a victory over Thebes and the allies at Coronea. When the Boeotians were put to flight, certain of them took refuge in the sanctuary of Athena surnamed Itonia. Agesilaus, although suffering from a wound received in the battle, did not sin against the suppliants.
- 3.10.1.1
Not long afterwards the Corinthians in exile for pro-Spartan sympathies held the Isthmian games. The Corinthians in the city made no move at the time, through their fear of Agesilaus but when he marched to Sparta, they too celebrated the Isthmian games along with the Argives. Agesilaus again marched with an army against Corinth, and, as the festival Hyacinthia was at hand, he gave the Amycleans leave to go back home and perform the traditional rites in honor of Apollo and Hyacinthus. This battalion was attacked on the way and annihilated by the Athenians under Iphicrates.
- 3.10.2.1
Agesilaus went also to Aetolia to give assistance to the Aetolians, who were hard pressed in a war with, the Acarnanians; these he compelled to put an end to the war, although they had come very near capturing Calydon and the other towns of the Aetolians. Afterwards he sailed to Egypt, to succor the Egyptians who had revolted from the king of Persia. Agesilaus performed many noteworthy achievements in Egypt, but, being by this time ah old man, he died on the march. then his dead body was brought home, the Lacedaemonians buried it with greater honors than they had given to any other king.
- 3.10.3.1
In the reign of Archidamus, son of Agesilaus, the Phocians seized the sanctuary at Delphi. To help in a war with Thebes the Phocians hired with its wealth independent mercenaries, but they here also aided publicly by the Lacedaemonians and Athenians, the latter calling to mind some old service rendered by the Phocians, the former, too, pretending to be friends when their real reason was, I think, hatred of the Thebans. Theopompus, son of Damasistratus, said that Archidamus himself had a share of the Delphic money, and further that Deinicha the wife of Archidamus, receiving a bribe from the chief men of the Phocians, made Archidamus more ready to bring them reinforcements.
- 3.10.4.1
To accept sacred money and to help men who had pillaged the most famous of oracles I do not hold praiseworthy, but the following incident does redound to his praise. The Phocians were contemplating the cruel course of killing the Delphians of vigorous age, enslaving the women and children, and levelling the city itself to the ground; it was due to the intercession of Archidamus that they escaped this fate at the hands of the Phocians.
- 3.10.5.1
Archidamus afterwards also crossed over into Italy to help the Tarentines to wage war against their foreign neighbors. Here he was killed by the foreigners, and his corpse missed burial owing to the anger of Apollo. Agis, the elder son of this Archidamus, met his death fighting against Antipater and the Macedonians, but while the younger son, Eudamidas, was king, the Lacedaemonians enjoyed peace. The history of Agis, son of Eudamidas, and of Eurydamidas, son of Agis, my account of Sicyon has already set forth.
- 3.10.6.1
On the way from the Hermae the whole of the region is full of oak-trees. The name of the district, Scotitas (Dark), is not due to the unbroken woods but to Zeus surnamed Scotitas, and there is a sanctuary of Zeus Scotitas on the left of the road and about ten stades from it. If you go back from the sanctuary to the road, advance a little and then turn again to the left, you come to an image of Heracles and a trophy, which I was told Heracles raised after killing Hippocoon and his sons.
- 3.10.7.1
The third branch from the straight road is on the right, and leads to Caryae (Walnut-trees) and to the sanctuary of Artemis. For Caryae is a region sacred to Artemis and the nymphs, and here stands in the open an image of Artemis Caryatis. Here every year the Lacedaemonian maidens hold chorus-dances, and they have a traditional native dance. On returning, as you go along the highway, you come to the ruins of Sellasia. The people of this city, as I have stated already, were sold into slavery by the Achaeans after they had conquered in battle the Lacedaemonians under their king Cleomenes, the son of Leonidas.
- 3.10.8.1
In Thornax, which you will reach as you go along, is an image of Apollo Pythaeus, made after the style of the one at Amyclae; the fashion of it I will describe when I come to speak of the latter. For in the eyes of the Lacedaemonians the cult of the Amyclaean is the more distinguished, so that they spent on adorning the image in Amyclae even the gold which Croesus the Lydian sent for Apollo Pythaeus.
- 3.11.1.1
Farther on from Thornax is the city, which was originally named Sparta, but in course of time came to be called Lacedaemon as well, a name which till then belonged to the land. To prevent misconception, I added in my account of Attica that I had not mentioned everything in order, but had made a selection of what was most noteworthy. This I will repeat before beginning my account of Sparta; for from the beginning the plan of my work has been to discard the many trivial stories current among the several communities, and to pick out the things most worthy of mention—an excellent rule which I will never violate.
- 3.11.2.1
The Lacedaemonians who live in Sparta have a market-place worth seeing; the council-chamber of the senate, and the offices of the ephors, of the guardians of the laws, and of those called the Bidiaeans, are all in the market-place. The senate is the council which has the supreme control of the Lacedaemonian constitution, the other officials form the executive. Both the ephors and the Bidiaeans are five in number; it is customary for the latter to hold competitions for the lads, particularly the one at the place called Platanistas (Plane-tree Grove), while the ephors transact the most serious business, one of them giving his name to the year, just as at Athens this privilege belongs to one of those called the Nine Archons.
- 3.11.3.1
The most striking feature in the marketplace is the portico which they call Persian because it was made from spoils taken in the Persian wars. In course of time they have altered it until it is as large and as splendid as it is now. On the pillars are white-marble figures of Persians, including Mardonius, son of Gobryas. There is also a figure of Artemisia, daughter of Lygdamis and queen of Halicarnassus. It is said that this lady voluntarily joined the expedition of Xerxes against Greece and distinguished herself at the naval engagement off Salamis.
- 3.11.4.1
On the market-place are temples; there is one of Caesar, the first Roman to covet monarchy and the first emperor under the present constitution, and also one to his son Augustus, who put the empire on a firmer footing, and became a more famous and a more powerful man than his father. His name “Augustus” means in Greek sebastos (reverend).
- 3.11.5.1
At the altar of Augustus they show a bronze statue of Agias. This Agias, they say, by divining for Lysander captured the Athenian fleet at Aegospotami with the exception of ten ships of war. These made their escape to Cyprus; all the rest the Lacedaemonians captured along with their crews. Agias was a son of Agelochus, a son of Tisamenus.
- 3.11.6.1
Tisamenus belonged to the family of the Iamidae at Elis, and an oracle was given to him that he should win five most famous contests. So he trained for the pentathlon at Olympia, but came away defeated. And yet he was first in two events, beating Hieronymus of Andros in running and in jumping. But when he lost the wrestling bout to this competitor, and so missed the prize, he understood what the oracle meant, that the god granted him to win five contests in war by his divinations.
- 3.11.7.1
The Lacedaemonians, hearing of the oracle the Pythian priestess had given to Tisamenus, persuaded him to migrate from Elis and to be state-diviner at Sparta. And Tisamenus won them five contests in war. The first was at Plataea against the Persians; the second was at Tegea, when the Lacedaemonians had engaged the Tegeans and Argives; the third was at Dipaea, an Arcadian town in Maenalia, when all the Arcadians except the Mantineans were arrayed against them.
- 3.11.8.1
His fourth contest was against the Helots who had rebelled and left the Isthmus for Ithome. Not all the Helots revolted, only the Messenian element, which separated itself off from the old Helots. These events I shall relate presently. On the occasion I mention the Lacedaemonians allowed the rebels to depart under a truce, in accordance with the advice of Tisamenus and of the oracle at Delphi. The last time Tisamenus divined for them was at Tanagra, an engagement taking place with the Argives and Athenians.
- 3.11.9.1
Such I learned was the history of Tisamenus. On their market-place the Spartans have images of Apollo Pythaeus, of Artemis and of Leto. The whole of this region is called Choros (Dancing), because at the Gymnopaediae, a festival which the Lacedaemonians take more seriously than any other, the lads perform dances in honor of Apollo. Not far from them is a sanctuary of Earth and of Zeus of the Market-place, another of Athena of the Market-place and of Poseidon surnamed Securer, and likewise one of Apollo and of Hera.
- 3.11.10.1
There is also dedicated a colossal statue of the Spartan People. The Lacedaemonians have also a sanctuary of the Fates, by which is the grave of Orestes, son of Agamemnon. For when the bones of Orestes were brought from Tegea in accordance with an oracle they were buried here. Beside the grave of Orestes is a statue of Polydorus, son of Alcamenes, a king who rose to such honor that the magistrates seal with his likeness everything that requires sealing.
- 3.11.11.1
There is also Hermes of the Market-place carrying Dionysus as a child, besides the old Courts of the Ephors, as they are called, in which are the tombs of Epimenides the Cretan and of Aphareus the son of Perieres. As to Epimenides, I think the Lacedaemonian story is more probable than the Argive. Here, where the Fates are, the Lacedaemonians also have a sanctuary of Hestia. There is also Zeus Hospitable and Athena Hospitable.
- 3.12.1.1
As you go from the market-place by the road they name the Aphetaid Road, you come to the so-called Booneta. But my narrative must first explain why the road has this name.
- 3.12.2.1
It is said that Icarius proposed a foot-race for the wooers of Penelope; that Odysseus won is plain, but they say that the competitors were let go (aphethenai) for the race along the Aphetaid Road. In my opinion, Icarius was imitating Danaus when he held the running-race. For Danaus contrived the following plan to solve the difficulty about his daughters. Nobody would take a wife from among them because of their pollution so Danaus sent round a notice that he would give away his daughters without bride-gifts, and that each suitor could choose the one whose beauty pleased him most. A few men came, among whom he held a foot-race the first comer was allowed to choose before all the others, after him the second, and so on to the last. The daughters that were left had to wait until other suitors arrived and competed in another foot-race.
- 3.12.3.1
On this road the Lacedaemonians have, as I have already said, what is called the Booneta, which once was the house of their king Polydorus. When he died, they bought it from his widow, paying the price in oxen. For at that time there was as yet neither silver nor gold coinage, but they still bartered in the old way with oxen, slaves, and uncoined silver and gold.
- 3.12.4.1
Those who sail to India say that the natives give other merchandise in exchange for Greek cargoes, knowing nothing about coinage, and that though they have plenty of gold and of bronze.On the opposite side of the office of the Bidiaeans is a sanctuary of Athena. Odysseus is said to have set up the image and to have named it Keleuthea (Lady of the Road), when he had beaten the suitors of Penelope in the foot-race. Of Keleuthea he set up sanctuaries, three in number, at some distance from each other.
- 3.12.5.1
Farther along the Aphetaid Road are hero-shrines, of Iops, who is supposed to have been born in the time of Lelex or. Myles, and of Amphiaraus the son of Oicles. The last they think was made by the sons of Tyndareus, for that Amphiaraus was their cousin. There is a hero-shrine of Lelex himself. Not far from these is a precinct of Poseidon of Taenarum, which is the surname given him, and near by an image of Athena, which is said to have been dedicated by the colonists
- 3.12.6.1
who left for Tarentum in Italy. As to the place they call the HeIlenium, it has been stated that those of the Greeks who were preparing to repel Xerxes when he was crossing into Europe deliberated at this place how they should resist. The other story is that those who made the expedition against Troy to please Menelaus deliberated here how they could sail out to Troy and exact satisfaction from Alexander for carrying off Helen.
- 3.12.7.1
Near the Hellenium they point out the tomb of Talthybius. The Achaeans of Aegium too say that a tomb which they show on their market-place belongs to Talthybius. It was this Talthybius whose wrath at the murder of the heralds, who were sent to Greece by king Dareius to demand earth and water, left its mark upon the whole state of the Lacedaemonians, but in Athens fell upon individuals, the members of the house of one man, Miltiades the son of Cimon. Miltiades was responsible for the death at the hands of the Athenians of those of the heralds who came to Attica.
- 3.12.8.1
The Lacedaemonians have an altar of Apollo Acritas, and a sanctuary, surnamed Gasepton, of Earth. Above it is set up Maleatian Apollo. At the end of the Aphetaid Road, quite close to the wall, are a sanctuary of Dictynna and the royal graves of those called the Eurypontidae. Beside the Hellenium is a sanctuary of Arsinoe, daughter of Leucippus and sister of the wives of Polydeuces and Castor. At the place called the Forts is a temple of Artemis, and a little further on has been built a tomb for the diviners from Elis, called the Iamidae.
- 3.12.9.1
There is also a sanctuary of Maron and of Alpheius. Of the Lacedaemonians who served at Thermopylae they consider that these men distinguished themselves in the fighting more than any save Leonidas himself. The sanctuary of Zeus Tropaean (He who turns to flight) was made by the Dorians, when they had conquered in war the Amyclaeans, as well as the other Achaeans, who at that time occupied Laconia. The sanctuary of the Great Mother has paid to it the most extraordinary honors. After it come the hero-shrines of Hippolytus, son of Theseus, and of the Arcadian Aulon, son of Tlesimenes. Some say that Tlesimenes was a brother, others a son of Parthenopaeus, son of Melanion.
- 3.12.10.1
Leading from the market-place is another road, on which they have built what is called Scias (Canopy), where even at the present day they hold their meetings of the Assembly. This Canopy was made, they say, by Theodorus of Samos, who discovered the melting of iron and the moulding of images from it. Here the Lacedaemonians hung the harp of Timotheus of Miletus, to express their disapproval of his innovation in harping, the addition of four strings to the seven old ones.
- 3.12.11.1
By the Canopy is a circular building, and in it images of Zeus and Aphrodite surnamed Olympian. This, they say, was set up by Epimenides, but their account of him does not agree with that of the Argives, for the Lacedaemonians deny that they ever fought with the Cnossians.
- 3.13.1.1
Hard by is the grave of Cynortas son of Amyclas, together with the tomb of Castor, and over the tomb there has also been made a sanctuary, for they say that it was not before the fortieth year after the fight with Idas and Lynceus that divine honors were paid to the sons of Tyndareus. By the Canopy is also shown the grave of Idas and Lynceus. Now it fits in best with their history to hold that they were buried not here but in Messenia.
- 3.13.2.1
But the disasters of the Messenians, and the length of their exile from the Peloponnesus, even after their return wrapped in darkness much of their ancient history, and their. ignorance makes it easy for any who wish to dispute a claim with them.Opposite the Olympian Aphrodite the Lacedaemonians have a temple of the Saviour Maid. Some say that it was made by Orpheus the Thracian, others by Abairis when he had come from the Hyperboreans.
- 3.13.3.1
Carneus, whom they surname “of the House,” had honors in Sparta even before the return of the Heracleidae, his seat being in the house of a seer, Crius (Ram) the son of Theocles. The daughter of this Crius was met as she was filling her pitcher by spies of the Dorians, who entered into conversation with her, visited Crius and learned from him how to capture Sparta.
- 3.13.4.1
The cult of Apollo Carneus has been established among all the Dorians ever since Carnus, an Acarnanian by birth, who was a seer of Apollo. When he was killed by Hippotes the son of Phylas, the wrath of Apollo fell upon the camp of the Dorians Hippotes went into banishment because of the bloodguilt, and from this time the custom was established among the Dorians of propitiating the Acarnanian seer. But this Carnus is not the Lacedaemonian Carneus of the House, who was worshipped in the house of Crius the seer while the Achaeans were still in possession of Sparta.
- 3.13.5.1
The poetess Praxilla represents Carneus as the son of Europa, Apollo and Leto being his nurses. There is also another account of the name; in Trojan Ida there grew in a grove of Apollo cornel-trees, which the Greeks cut down to make the Wooden Horse. Learning that the god was wroth with them they propitiated him with sacrifices and named Apollo Carneus from the cornel-tree (craneia), a custom prevalent in the olden time making them transpose the r and the a.
- 3.13.6.1
Not far from Carneus is what is called the image of Aphetaeus. Here they say was the starting-place of the race run by the suitors of Penelope. There is a place having its porticoes in the form of a square, where of old stuff used to be sold to the people. By this is an altar of Zeus Counsellor and of Athena Counsellor, also of the Dioscuri, likewise surnamed Counsellors.
- 3.13.7.1
Opposite is what is called the Knoll, with a temple of Dionysus of the Knoll, by which is a precinct of the hero who they say guided Dionysus on the way to Sparta. To this hero sacrifices are offered before they are offered to the god by the daughters of Dionysus and the daughters of Leucippus. For the other eleven ladies who are named daughters of Dionysus there is held a footrace; this custom came to Sparta from Delphi.
- 3.13.8.1
Not far from the Dionysus is a sanctuary of Zeus of Fair Wind, on the right of which is a hero-shrine of Pleuron. The sons of Tyndareus were descended on their mother's side from Pleuron, for Asius in his poem says that Thestius the father of Leda was the son of Agenor the son of Pleuron. Not far from the hero-shrine is a hill, and on the hill a temple of Argive Hera, set up, they say, by Eurydice, the daughter of Lacedaemon and the wife of Acrisius the son of Abas. An oracular utterance caused to be built a sanctuary of Hera Hyperchemia (she whose hand is above) at a time when the Eurotas was flooding a great part of the land.
- 3.13.9.1
An old wooden image they call that of Aphrodite Hera. A mother is wont to sacrifice to the goddess when a daughter is married. On the road to the right of the hill is a statue of Hetoemocles. Both Hetoemocles himself and his father Hipposthenes won Olympic victories for wrestling the two together won eleven, but Hipposthenes succeeded in beating his son by one victory.
- 3.14.1.1
On going westwards from the market-place is a cenotaph of Brasidas the son of Tellis. Not far from it is the theater, made of white marble and worth seeing. Opposite the theater are two tombs; the first is that of Pausanias, the general at Plataea, the second is that of Leonidas. Every year they deliver speeches over them, and hold a contest in which none may compete except Spartans. The bones of Leonidas were taken by Pausanias from Thermopylae forty years after the battle. There is set up a slab with the names, and their fathers' names, of those who endured the fight at Thermopylae against the Persians.
- 3.14.2.1
There is a place in Sparta called Theomelida. In this part of the city are the graves of the Agiad kings, and near is what is called the lounge of the Crotani, who form a part of the Pitanatans. Not far from the lounge is a sanctuary of Asclepius, called “in the place of the Agiadae.” Farther on is the tomb of Taenarus, after whom they say the headland was named that juts out into the sea. Here are sanctuaries of Poseidon Hippocurius (Horse-tending) and of Artemis Aiginaea (Goat-goddess?). On returning to the lounge you see a sanctuary of Artemis Issoria. They surname her also Lady of the Lake, though she is not really Artemis hut Britomartis of Crete. I deal with her in my account of Aegina.
- 3.14.3.1
Very near to the tombs which have been built for the Agiadae you will see a slab, on which are written the victories in the foot-race won, at Olympia and elsewhere, by Chionis, a Lacedaemonian. The Olympian victories were seven, four in the single-stade race and three in the double-stade race. The race with the shield, that takes place at the end of the contest, was not at that time one of the events. It is said that Chionis also took part in the expedition of Battus of Thera, helped him to found Cyrene and to reduce the neighboring Libyans.
- 3.14.4.1
The sanctuary of Thetis was set up, they say, for the following reason. The Lacedaemonians were making war against the Messenians, who had revolted, and their king Anaxander, having invaded Messenia, took prisoners certain women, and among them Cleo, priestess of Thetis. This Cleo the wife of Anaxander asked for from her husband, and discovering that she had the wooden image of Thetis, she set up with her a temple for the goddess. This Leandris did because of a vision in a dream,
- 3.14.5.1
but the wooden image of Thetis is guarded in secret. The cult of Demeter Chthonia (of the Lower World) the Lacedaemonians say was handed on to them by Orpheus, but in my opinion it was because of the sanctuary in Hermione that the Lacedaemonians also began to worship Demeter Chthonia. The Spartans have also a sanctuary of Serapis, the newest sanctuary in the city, and one of Zeus surnamed Olympian.
- 3.14.6.1
The Lacedaemonians give the name Running Course to the place where it is the custom for the young men even down to the present day to practise running. As you go to this Course from the grave of the Agiadae, you see on the left the tomb of Eumedes—this Eumedes was one of the children of Hippocoon—and also an old image of Heracles, to whom sacrifice is paid by the Sphaereis. These are those who are just passing from youth to manhood. In the Course are two gymnastic schools, one being a votive gift of Eurycles, a Spartan. Outside the Course, over against the image of Heracles, there is a house belonging now to a private individual, but in olden times to Menelaus. Farther away from the Course are sanctuaries of the Dioscuri, of the Graces, of Eileithyia, of Apollo Carneus, and of Artemis Leader.
- 3.14.7.1
The sanctuary of Agnitas has been made on the right of the Course; Agnitas is a surname of Asclepius, because the god had a wooden image of agnus castus. The agnus is a willow like the thorn. Not far from Asclepius stands a trophy, raised, they say, by Polydeuces to celebrate his victory over Lynceus. This is one of the pieces of evidence that confirm my statement that the sons of Aphareus were not buried in Sparta. At the beginning of the Course are the Dioscuri Starters, and a little farther on a hero-shrine of Alcon, who they say was a son of Hippocoon.Beside the shrine of Alcon is a sanctuary of Poseidon, whom they surname “of the House.”
- 3.14.8.1
And there is a place called Platanistas (Plane-tree Grove) from the unbroken ring of tall plane trees growing round it. The place itself, where it is customary for the youths to fight, is surrounded by a moat just like an island in the sea; you enter it by bridges. On each of the two bridges stand images; on one side an image of Heracles, on the other a likeness of Lycurgus. Among the laws Lycurgus laid down for the constitution are those regulating the fighting of the youths.
- 3.14.9.1
There are other acts performed by the youths, which I will now describe. Before the fighting they sacrifice in the Phoebaeum, which is outside the city, not far distant from Therapne. Here each company of youths sacrifices a puppy to Enyalius, holding that the most valiant of tame animals is an acceptable victim to the most valiant of the gods. I know of no other Greeks who are accustomed to sacrifice puppies except the people of Colophon; these too sacrifice a puppy, a black bitch, to the Wayside Goddess. Both the sacrifice of the Colophonians and that of the youths at Sparta are appointed to take place at night.
- 3.14.10.1
At the sacrifice the youths set trained boars to fight; the company whose boar happens to win generally gains the victory in Plane-tree Grove. Such are the performances in the Phoebaeum. A little before the middle of the next day they enter by the bridges into the place I have mentioned. They cast lots during the night to decide by which entrance each band is to go in. In fighting they use their hands, kick with their feet, bite, and gouge out the eyes of their opponents. Man to man they fight in the way I have described, but in the melee they charge violently and push one another into the water.
- 3.15.1.1
At Plane-tree Grove there is also a hero-shrine of Cynisca, daughter of Archidamus king of the Spartans. She was the first woman to breed horses, and the first to win a chariot race at Olympia. Behind the portico built by the side of Plane-tree Grove are other hero-shrines, of Alcimus, of Enaraephorus, at a little distance away one of Dorceus, and close to it one of Sebrus.
- 3.15.2.1
These are said to be sons of Hippocoon. The fountain near the hero-shrine of Dorceus they call Dorcean after him; the place Sebrium is named after Sebrus. On the right of Sebrium is the tomb of Alcman, the lyric poet, the charm of whose works was not in the least spoilt by the Laconian dialect, which is the least musical of them all.
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There are sanctuaries of Helen and of Heracles; the former is near the grave of Alcman, the latter is quite close to the wall and contains an armed image of Heracles. The attitude of the image is due, they say, to the fight with Hippocoon and his sons. The enmity of Heracles towards the family of Hippocoon is said to have sprung out of their refusing to cleanse him when he came to Sparta for cleansing after the death of Iphitus.
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The following incident, too, helped to begin the feud. Oeonus, a stripling cousin of Heracles—he was the son of Licymnius the brother of Alcmene—came to Sparta along with Heracles, and went round to view the city. When he came to the house of Hippocoon, a house-dog attacked him. Oeonus happened to throw a stone which knocked over the dog. So the sons of Hippocoon ran out, and dispatched Oeonus with their clubs.
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This made Heracles most bitterly wroth with Hippocoon and his sons, and straightway, angry as he was, he set out to give them battle. On this occasion he was wounded, and made good his retreat by stealth but afterwards he made an expedition against Sparta and succeeded in avenging himself on Hippocoon, and also on the sons of Hippocoon for their murder of Oeonus. The tomb of Oeonus is built by the side of the sanctuary of Heracles.
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As you go from the Course towards the east, there is a path on the right, with a sanctuary of Athena called Axiopoinos (Just Requital or Tit for Tat). For when Heracles, in avenging himself on Hippocoon and his sons, had inflicted upon them a just requital for their treatment of his relative, he founded a sanctuary of Athena, and surnamed her Axiopoinos because the ancients used to call vengeance poinai. There is another sanctuary of Athena on another road from the Course. It was dedicated, they say, by Theras son of Autesion son of Tisamenus son of Thersander, when he was leading a colony to the island now called Thera after him, the name of which in ancient times was Calliste (Fairest).
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Near is a temple of Hipposthenes, who won so many victories in wrestling. They worship Hipposthenes in accordance with an oracle, paying him honors as to Poseidon. Opposite this temple is an old image of Enyalius in fetters. The idea the Lacedaemonians express by this image is the same as the Athenians express by their Wingless Victory; the former think that Enyalius will never run away from them, being bound in the fetters, while the Athenians think that Victory, having no wings, will always remain where she is.
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In this fashion, and with such a belief have these cities set up the wooden images. In Sparta is a lounge called Painted, and by it hero-shrines of Cadmus the son of Agenor, and of his descendants Oeolycus, son of Theras, and Aegeus, son of Oeolycus. They are said to have been made by Maesis, Laeas and Europas, sons of Hyraeus, son of Aegeus. They made for Amphilochus too his hero-shrine, because their ancestor Tisamenus had for his mother Demonassa, the sister of Amphilochus.
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The Lacedaemonians are the only Greeks who surname Hera Goat-eater, and sacrifice goats to the goddess. They say that Heracles founded the sanctuary and was the first to sacrifice goats, because in his fight against Hippocoon and his children he met with no hindrance from Hera, although in his other adventures he thought that the goddess opposed him. He sacrificed goats, they say, because he lacked other kinds of victims.
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Not far from the theater is a sanctuary of Poseidon God of Kin, and there are hero-shrines of Cleodaeus, son of Hyllus, and of Oebalus. The most famous of their sanctuaries of Asclepius has been built near Booneta, and on the left is the hero-shrine of Teleclus. I shall mention him again later in my history of Messenia. A little farther on is a small hill, on which is an ancient temple with a wooden image of Aphrodite armed. This is the only temple I know that has an upper storey built upon it.
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It is a sanctuary of Morpho, a surname of Aphrodite, who sits wearing a veil and with fetters on her feet. The story is that the fetters were put on her by Tyndareus, who symbolized by the bonds the faithfulness of wives to their husbands. The other account, that Tyndareus punished the goddess with fetters because he thought that from Aphrodite had come the shame of his daughters, I will not admit for a moment. For it were surely altogether silly to expect to punish the goddess by making a cedar figure and naming it Aphrodite.
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Near is a sanctuary of Hilaeira and of Phoebe. The author of the poem Cypria calls them daughters of Apollo. Their priestesses are young maidens, called, as are also the goddesses, Leucippides (Daughter of Leucippus). One of the images was adorned by a Leucippis who had served the goddesses as a priestess. She gave it a face of modern workmanship instead of the old one; she was forbidden by a dream to adorn the other one as well. Here there his been hung from the roof an egg tied to ribands, and they say that it is the famous egg that legend says Leda brought forth.
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Each year the women weave a tunic for the Apollo at Amyclae, and they call Tunic the chamber in which they do their weaving. Near it is built a house, said to have been occupied originally by the sons of Tyndareus, but afterwards it was acquired by Phormion, a Spartan. To him came the Dioscuri in the likeness of strangers. They said that they had come from Cyrene, and asked to lodge with him, requesting to have the chamber which had pleased them most when they dwelt among men.
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He replied that they might lodge in any other part of the house they wished, but that they could not have the chamber.For it so happened that his maiden daughter was living in it. By the next day this maiden and all her girlish apparel had disappeared, and in the room were found images of the Dioscuri, a table, and silphium upon it.
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Such is the story. As you go from the Tunic in the direction of the gate there is a hero-shrine of Cheilon, who is considered one of the Seven Sages, and also of Athenodorus, one of those who with Dorieus the son of Anaxandrides set out for Sicily. The reason of their setting out was that they held that the Erycine district belonged to the descendants of Heracles and not to the foreigners who held it. The story is that Heracles wrestled with Eryx on these terms: if Heracles won, the land of Eryx was to belong to him but if he were beaten, Eryx was to depart with the cows of Geryon;
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for Heracles at the time was driving these away, and when they swam across to Sicily he too crossed over in search of them near the bent olive-tree. The favour of heaven was more partial to Heracles than it was afterwards to Dorieus the son of Anaxandrides; Heracles killed Eryx, but Dorieus himself and the greater part of his army were destroyed by the Egestaeans.
- 3.16.6.1
The Lacedaemonians have also made a sanctuary for Lycurgus, who drew up the laws, looking upon him as a god. Behind the temple is the grave of Eucosmus, the son of Lycurgus, and by the altar the grave of Lathria and Anaxandra. Now these were themselves twins, and therefore the sons of Aristodemus, who also were twins likewise, took them to wife; they were daughters of Thersander son of Agamedidas, king of the Cleonaeans and great-grandson of Ctesippus, son of Heracles. Opposite the temple is the tomb of Theopompus son of Nicander, and also that of Eurybiades, who commanded the Lacedaemonian warships that fought the Persians at Artemisium and Salamis. Near is what is called the hero-shrine of Astrabacus.
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The place named Limnaeum (Marshy) is sacred to Artemis Orthia (Upright). The wooden image there they say is that which once Orestes and Iphigenia stole out of the Tauric land, and the Lacedaemonians say that it was brought to their land because there also Orestes was king. I think their story more probable than that of the Athenians. For what could have induced Iphigenia to leave the image behind at Brauron? Or why did the Athenians, when they were preparing to abandon their land, fail to include this image in what they put on board their ships?
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And yet, right down to the present day, the fame of the Tauric goddess has remained so high that the Cappadocians dwelling on the Euxine claim that the image is among them, a like claim being made by those Lydians also who have a sanctuary of Artemis Anaeitis. But the Athenians, we are asked to believe, made light of it becoming booty of the Persians. For the image at Brauron was brought to Susa, and afterwards Seleucus gave it to the Syrians of Laodicea, who still possess it.
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I will give other evidence that the Orthia in Lacedaemon is the wooden image from the foreigners. Firstly, Astrabacus and Alopecus, sons of Irbus, son of Amphisthenes, son of Amphicles, son of Agis, when they found the image straightway became insane. Secondly, the Spartan Limnatians, the Cynosurians, and the people of Mesoa and Pitane, while sacrificing to Artemis, fell to quarreling, which led also to bloodshed; many were killed at the altar and the rest died of disease.
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Whereat an oracle was delivered to them, that they should stain the altar with human blood. He used to be sacrificed upon whomsoever the lot fell, but Lycurgus changed the custom to a scourging of the lads, and so in this way the altar is stained with human blood. By them stands the priestess, holding the wooden image. Now it is small and light,
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but if ever the scourgers spare the lash because of a lad's beauty or high rank, then at once the priestess finds the image grow so heavy that she can hardly carry it. She lays the blame on the scourgers, and says that it is their fault that she is being weighed down. So the image ever since the sacrifices in the Tauric land keeps its fondness for human blood. They call it not only Orthia, but also Lygodesma (Willow-bound), because it was found in a thicket of willows, and the encircling willow made the image stand upright.
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Not far from the Orthia is a sanctuary of Eileithyia. They say that they built it, and came to worship Eileithyia as a goddess, because of an oracle from Delphi.The Lacedaemonians have no citadel rising to a conspicuous height like the Cadmea at Thebes and the Larisa at Argos. There are, however, hills in the city, and the highest of them they call the citadel.
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Here is built a sanctuary of Athena, who is called both City-protecting and Lady of the Bronze House. The building of the sanctuary was begun, they say, by Tyndareus. On his death his children were desirous of making a second attempt to complete the building, and the resources they intended to use were the spoils of Aphidna. They too left it unfinished, and it was many years afterwards that the Lacedaemonians made of bronze both the temple and the image of Athena. The builder was Gitiadas, a native of Sparta, who also composed Dorian lyrics, including a hymn to the goddess.
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On the bronze are wrought in relief many of the labours of Heracles and many of the voluntary exploits he successfully carried out, besides the rape of the daughters of Leucippus and other achievements of the sons of Tyndareus. There is also Hephaestus releasing his mother from the fetters. The legend about this I have already related in my history of Attica. There are also represented nymphs bestowing upon Perseus, who is starting on his enterprise against Medusa in Libya, a cap and the shoes by which he was to be carried through the air. There are also wrought the birth of Athena, Amphitrite, and Poseidon, the largest figures, and those which I thought the best worth seeing.
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There is here another sanctuary of Athena; her surname is the Worker. As you go to the south portico there is a temple of Zeus surnamed Cosmetas (Orderer), and before it is the tomb of Tyndareus. The west portico has two eagles, and upon them are two Victories. Lysander dedicated them to commemorate both his exploits; the one was off Ephesus, when he conquered Antiochus, the captain of Alcibiades, and the Athenian warships and the second occurred later, when he destroyed the Athenian fleet at Aegospotami.
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On the left of the Lady of the Bronze House they have set up a sanctuary of the Muses, because the Lacedaemonians used to go out to fight, not to the sound of the trumpet, but to the music of the flute and the accompaniment of lyre and harp. Behind the Lady of the Bronze House is a temple of Aphrodite Areia (Warlike). The wooden images are as old as any in Greece.
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On the right of the Lady of the Bronze House has been set up an image of Zeus Most High, the oldest image that is made of bronze. It is not wrought in one piece. Each of the limbs has been hammered separately; these are fitted together, being prevented from coming apart by nails. They say that the artist was Clearchus of Rhegium, who is said by some to have been a pupil of Dipoenus and Scyllis, by others of Daedalus himself. By what is called the Scenoma (Tent) there is a statue of a woman, whom the Lacedaemonians say is Euryleonis. She won a victory at Olympia with a two-horse chariot.
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By the side of the altar of the Lady of the Bronze House stand two statues of Pausanias, the general at Plataea. His history, as it is known, I will not relate. The accurate accounts of my predecessors suffice; I shall content myself with adding to them what I heard from a man of Byzantium. Pausanias was detected in his treachery, and was the only suppliant of the Lady of the Bronze House who failed to win security, solely because he had been unable to wipe away a defilement of bloodshed.
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When he was cruising about the Hellespont with the Lacedaemonian and allied fleets, he fell in love with a Byzantine maiden. And straightway at the beginning of night Cleonice —that was the girl's name—was brought by those who had been ordered to do so. But Pausanias was asleep at the time and the noise awoke him. For as she came to him she unintentionally dropped her lighted lamp. And Pausanias, conscious of his treason to Greece, and therefore always nervous and fearful, jumped up then and struck the girl with his sword.
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From this defilement Pausanias could not escape, although he underwent all sorts of purifications and became a suppliant of Zeus Phyxius (God of Flight), and finally went to the wizards at Phigalia in Arcadia but he paid a fitting penalty to Cleonice and to the god. The Lacedaemonians, in fulfillment of a command from Delphi, had the bronze images made and honor the spirit Bountiful, saying that it was this Bountiful that turns aside the wrath that the God of Suppliants shows because of Pausanias.
- 3.18.1.1
Near the statues of Pausanias is an image of Aphrodite Ambologera (Postponer of Old Age), which was set up in accordance with an oracle; there are also images of Sleep and of Death. They think them brothers, in accordance with the verses in the Iliad.
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As you go towards what is called the Alpium is a temple of Athena Ophthalmitis (Goddess of the Eye). They say that Lycurgus dedicated it when one of his eyes had been struck out by Alcander, because the laws he had made happened not to find favour with Alcander. Having fled to this place he was saved by the Lacedaemonians from losing his remaining eye, and so he made this temple of Athena Ophthalmitis.
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Farther on from here is a sanctuary of Ammon. From the first the Lacedaemonians are known to have used the oracle in Libya more than any other Greeks. It is said also that when Lysander was besieging Aphytis in Pallene Ammon appeared by night and declared that it would be better for him and for Lacedaemon if they ceased from warring against Aphytis. And so Lysander raised the siege, and induced the Lacedaemonians to worship the god still more. The people of Aphytis honor Ammon no less than the Ammonian Libyans.
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The story of Artemis Cnagia is as follows. Cnageus, they say, was a native who joined the Dioscuri in their expedition against Aphidna. Being taken prisoner in the battle and sold into Crete, he lived as a slave where the Cretans had a sanctuary of Artemis; but in course of time he ran away in the company of the maiden priestess, who took the image with her. It is for this reason that they name Artemis Cnagia.
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But I am of opinion that Cnageus came to Crete in some other way, and not in the manner the Lacedaemonians state; for I do not think there was a battle at Aphidna at all, Theseus being detained among the Thesprotians and the Athenians not being unanimous, their sympathies inclining towards Menestheus. Moreover, even if a fight occurred, nobody would believe that prisoners were taken from the conquerors, especially as the victory was overwhelming, so that Aphidna itself was captured.
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I must now end my criticisms. As you go down to Amyclae from Sparta you come to a river called Tiasa. They hold that Tiasa was a daughter of Eurotas, and by it is a sanctuary of Graces, Phaenna and Cleta, as Alcman calls them in a poem. They believe that Lacedaemon founded the sanctuary for the Graces here, and gave them their names.
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The things worth seeing in Amyclae include a victor in the pentathlon, named Aenetus, on a slab. The story is that he won a victory at Olympia, but died while the crown was being placed on his head. So there is the statue of this man; there are also bronze tripods. The older ones are said to be a tithe of the Messenian war.
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Under the first tripod stood an image of Aphrodite, and under the second an Artemis. The two tripods themselves and the reliefs are the work of Gitiadas. The third was made by Gallon of Aegina, and under it stands an image of the Maid, daughter of Demeter. Aristander of Paros and Polycleitus of Argos have statues here; the former a woman with a lyre, supposed to be Sparta, the latter an Aphrodite called “beside the Amyclaean.” These tripods are larger than the others, and were dedicated from the spoils of the victory at Aegospotami.
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Bathycles of Magnesia, who made the throne of the Amyclaean, dedicated, on the completion of the throne, Graces and an image of Artemis Leucophryene. Whose pupil this Bathycles was, and who was king of Lacedaemon when he made the throne, I pass over; but I saw the throne and will describe its details.
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It is supported in front, and similarly behind, by two Graces and two Seasons. On the left stand Echidna and Typhos, on the right Tritons. To describe the reliefs one by one in detail would have merely bored my readers; but to be brief and concise (for the greater number of them are not unknown either) Poseidon and Zeus are carrying Taygete, daughter of Atlas, and her sister Alcyone. There are also reliefs of Atlas, the single combat of Heracles and Cycnus, and the battle of the Centaurs at the cave of Pholus.
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