Description of Greece

Meantime the Greeks at Thermopylae were faring as follows. There are two paths across Mount Oeta: the one above Trachis is very steep, and for the most part precipitous; the other, through the territory of the Aenianians, is easier for an army to cross. It was through this that on a former occasion Hydarnes the Persian passed to attack in the rear the Greeks under Leonidas.

By this road the Heracleots and the Aenianians promised to lead Brennus, not that they were ill-disposed to the Greek cause, but because they were anxious for the Celts to go away from their country, and not to establish themselves in it to its ruin. I think that Pindar spoke the truth again when he said that every one is crushed by his own misfortunes but is untouched by the woes of others.

Brennus was encouraged by the promise made by the Aenianians and Heracleots. Leaving Acichorius behind in charge of the main army, with instructions that it was to attack only when the enveloping movement was complete, Brennus himself, with a detachment of forty thousand, began his march along the pass.

It so happened on that day that the mist rolled thick down the mountain, darkening the sun, so that the Phocians who were guarding the path found the barbarians upon them before they were aware of their approach. Thereupon the Gauls attacked. The Phocians resisted manfully, but at last were forced to retreat from the path. However, they succeeded in running down to their friends with a report of what was happening before the envelopment of the Greek army was quite complete on all sides.

Whereupon the Athenians with the fleet succeeded in withdrawing in time the Greek forces from Thermopylae, which disbanded and returned to their several homes. Brennus, without delaying any longer, began his march against Delphi without waiting for the army with Acichorius to join up. In terror the Delphians took refuge in the oracle. The god bade them not to be afraid, and promised that he would himself defend his own.

The Greeks who came in defence of the god were as follow: the Phocians, who came from all their cities; from Amphissa four hundred hoplites; from the Aetolians a few came at once on hearing of the advance of the barbarians, and later on Philomelus brought one thousand two hundred. The flower of the Aetolians turned against the army of Acichorius, and without offering battle attacked continuously the rear of their line of march, plundering the baggage and putting the carriers to the sword. It was chiefly for this reason that their march proved slow. Futhermore, at Heracleia Acichorius had left a part of his army, who were to guard the baggage of the camp.

Brennus and his army were now faced by the Greeks who had mustered at Delphi, and soon portents boding no good to the barbarians were sent by the god, the clearest recorded in history. For the whole ground occupied by the Gallic army was shaken violently most of the day, with continuous thunder and lightning.

The thunder both terrified the Gauls and prevented them hearing their orders, while the bolts from heaven set on fire not only those whom they struck but also their neighbors, themselves and their armour alike. Then there were seen by them ghosts of the heroes Hyperochus, Laodocus and Pyrrhus; according to some a fourth appeared, Phylacus, a local hero of Delphi.

Among the many Phocians who were killed in the action was Aleximachus, who in this battle excelled all the other Greeks in devoting youth, physical strength, and a stout heart, to slaying the barbarians. The Phocians made a statue of Aleximachus and sent it to Delphi as an offering to Apollo.

All the day the barbarians were beset by calamities and terrors of this kind. But the night was to bring upon them experiences far more painful. For there came on a severe frost, and snow with it; and great rocks slipping from Parnassus, and crags breaking away, made the barbarians their target, the crash of which brought destruction, not on one or two at a time, but on thirty or even more, as they chanced to be gathered in groups, keeping guard or taking rest.

At sunrise the Greeks came on from Delphi, making a frontal attack with the exception of the Phocians, who, being more familiar with the district, descended through the snow down the precipitous parts of Parnassus, and surprised the Celts in their rear, shooting them down with arrows and javelins without anything to fear from the barbarians.

At the beginning of the fight the Gauls offered a spirited resistance, especially the company attached to Brennus, which was composed of the tallest and bravest of the Gauls, and that though they were shot at from all sides, and no less distressed by the frost, especially the wounded men. But when Brennus himself was wounded, he was carried fainting from the battle, and the barbarians, harassed on all sides by the Greeks, fell back reluctantly, putting to the sword those who, disabled by wounds or sickness, could not go with them.

They encamped where night overtook them in their retreat, and during the night there fell on them a “panic.” For causeless terrors are said to come from the god Pan. It was when evening was turning to night that the confusion fell on the army, and at first only a few became mad, and these imagined that they heard the trampling of horses at a gallop, and the attack of advancing enemies; but after a little time the delusion spread to all.

So rushing to arms they divided into two parties, killing and being killed, neither understanding their mother tongue nor recognizing one another's forms or the shape of their shields. Both parties alike under the present delusion thought that their opponents were Greek, men and armour, and that the language they spoke was Greek, so that a great mutual slaughter was wrought among the Gauls by the madness sent by the god.

Those Phocians who had been left behind in the fields to guard the flocks were the first to perceive and report to the Greeks the panic that had seized the barbarians in the night. The Phocians were thus encouraged to attack the Celts with yet greater spirit, keeping a more careful watch on their encampments, and not letting them take from the country the necessities of life without a struggle, so that the whole Gallic army suffered at once from a pressing shortage of corn and other food.

Their losses in Phocis were these: in the battles were killed close on six thousand; those who perished in the wintry storm at night and afterwards in the panic terror amounted to over ten thousand, as likewise did those who were starved to death.

Athenian scouts arrived at Delphi to gather information, after which they returned and reported what had happened to the barbarians, and all that the god had inflicted upon them. Whereupon the Athenians took the field, and as they marched through Boeotia they were joined by the Boeotians. Thus the combined armies followed the barbarians, lying in wait and killing those who happened to be the last.

Those who fled with Brennus had been joined by the army under Acichorius only on the previous night. For the Aetolians had delayed their march, hurling at them a merciless shower of javelins and anything else they could lay hands on, so that only a small part of them escaped to the camp at Heracleia. There was still a hope of saving the life of Brennus, so far as his wounds were concerned; but, they say, partly because he feared his fellow-countrymen, and still more because he was conscience-stricken at the calamities he had brought on Greece, he took his own life by drinking neat wine.

After this the barbarians proceeded with difficulty as far as the Spercheius, pressed hotly by the Aetolians. But after their arrival at the Spercheius, during the rest of the retreat the Thessalians and Malians kept lying in wait for them, and so took their fill of slaughter that not a Gaul returned home in safety.

The expedition of the Celts against Greece, and their destruction, took place when Anaxicrates was archon at Athens, in the second year of the hundred and twenty-fifth Olympiad, when Ladas of Aegium was victor in the footrace. In the following year, when Democles was archon at Athens, the Celts crossed back again to Asia.

Such was the course of the war. In the fore-temple at Delphi are written maxims useful for the life of men, inscribed by those whom the Greeks say were sages. These were: from Ionia, Thales of Miletus and Bias of Priene; of the Aeolians in Lesbos, Pittacus of Mitylene; of the Dorians in Asia, Cleobulus of Lindus; Solon of Athens and Chilon of Sparta; the seventh sage, according to the list of Plato, the son of Ariston, is not Periander, the son of Cypselus, but Myson of Chenae, a village on Mount Oeta. These sages, then, came to Delphi and dedicated to Apollo the celebrated maxims, “Know thyself,” and “Nothing in excess.”

So these men wrote what I have said, and you can see a bronze statue of Homer on a slab, and read the oracle that they say Homer received:—Blessed and unhappy, for to be both wast thou born.Thou seekest thy father-land; but no father-land hast thou, only a mother-land.The island of Ios is the father-land of thy mother, which will receive theeWhen thou hast died; but be on thy guard against the riddle of the young children.The inhabitants of Ios point to Homer's tomb in the island, and in another part to that of Clymene, who was, they say, the mother of Homer.

But the Cyprians, who also claim Homer as their own, say that Themisto, one of their native women, was the mother of Homer, and that Euclus foretold the birth of Homer in the following verses:—And then in sea-girt Cyprus there will be a mighty singer,Whom Themisto, lady fair, shall bear in the fields, A man of renown, far from rich Salamis.Leaving Cyprus, tossed and wetted by the waves,The first and only poet to sing of the woes of spacious Greece,For ever shall he be deathless and ageless.These things I have heard, and I have read the oracles, but express no private opinion about either the age or date of Homer.

In the temple has been built an altar of Poseidon, because Poseidon too possessed in part the most ancient oracle. There are also images of two Fates; but in place of the third Fate there stand by their side Zeus, Guide of Fate, and Apollo, Guide of Fate. Here you may behold the hearth on which the priest of Apollo killed Neoptolemus, the son of Achilles. The story of the end of Neoptolemus I have told elsewhere.

Not far from the hearth has been dedicated a chair of Pindar. The chair is of iron, and on it they say Pindar sat whenever he came to Delphi, and there composed his songs to Apollo. Into the innermost part of the temple there pass but few, but there is dedicated in it another image of Apollo, made of gold.

Leaving the temple and turning to the left you will come to an enclosure in which is the grave of Neoptolemus, the son of Achilles. Every year the Delphians sacrifice to him as to a hero. Ascending from the tomb you come to a stone of no large size. Over it every day they pour olive oil, and at each feast they place on it unworked wool. There is also an opinion about this stone, that it was given to Cronus instead of his child, and that Cronus vomited it up again.

Coming back to the temple after seeing the stone, you come to the spring called Cassotis. By it is a wall of no great size, and the ascent to the spring is through the wall. It is said that the water of this Cassotis sinks under the ground, and inspires the women in the shrine of the god. She who gave her name to the spring is said to have been a nymph of Parnassus.

Beyond the Cassotis stands a building with paintings of Polygnotus. It was dedicated by the Cnidians, and is called by the Delphians Lesche (Place of Talk, Club Room), because here in days of old they used to meet and chat about the more serious matters and legendary history. That there used to be many such places all over Greece is shown by Homer's words in the passage where Melantho abuses Odysseus:—And you will not go to the smith's house to sleep,Nor yet to the place of talk, but you make long speeches here.

Inside this building the whole of the painting on the right depicts Troy taken and the Greeks sailing away. On the ship of Menelaus they are preparing to put to sea. The ship is painted with children among the grown-up sailors; amidships is Phrontis the steersman holding two boat-hooks. Homer represents Nestor as speaking about Phrontis in his conversation with Telemachus, saying that he was the son of Onetor and the steersman of Menelaus, of very high repute in his craft, and how he came to his end when he was already rounding Sunium in Attica. Up to this point Menelaus had been sailing along with Nestor, but now he was left behind to build Phrontis a tomb, and to pay him the due rites of burial.

Phrontis then is in the painting of Polygnotus, and beneath him is one Ithaemenes carrying clothes, and Echoeax is going down the gangway, carrying a bronze urn. Polites, Strophius and Alphius are pulling down the hut of Menelaus, which is not far from the ship. Another hut is being pulled down by Amphialus, at whose feet is seated a boy. There is no inscription on the boy, and Phrontis is the only one with a beard. His too is the only name that Polygnotus took from the Odyssey; the names of the others he invented, I think, himself.

Briseis is standing with Diomeda above her and Iphis in front of both; they appear to be examining the form of Helen. Helen herself is sitting, and so is Eurybates near her. We inferred that he was the herald of Odysseus, although he had yet no beard. One handmaid, Panthalis, is standing beside Helen; another, Electra, is fastening her mistress' sandals. These names too are different from those given by Homer in the Iliad, where he tells of Helen going to the wall with her slave women.

Beyond Helen, a man wrapped in a purple cloak is sitting in an attitude of the deepest dejection; one might conjecture that he was Helenus, the son of Priam, even before reading the inscription. Near Helenus is Meges, who is wounded in the arm, as Lescheos of Pyrrha, son of Aeschylinus, describes in the Sack of Troy. For he says that he was wounded by Admetus, son of Augeias, in the battle that the Trojans fought in the night.

Beside Meges is also painted Lycomedes the son of Creon, who has a wound in the wrist; Lescheos says he was so wounded by Agenor. So it is plain that Polygnotus would not have represented them so wounded, if he had not read the poem of Lescheos. However, he has painted Lycomedes as wounded also in the ankle, and yet again in the head. Euryalus the son of Mecisteus has also received a wound in the head and another in the wrist.

These are painted higher up than Helen in the picture. Next to Helen comes the mother of Theseus with her head shaved, and Demophon, one of the sons of Theseus, is considering, to judge from his attitude, whether it will be possible for him to rescue Aethra. The Argives say that Theseus had also a son Melanippus by the daughter of Sinis, and that Melanippus won a running-race when the Epigoni, as they are called, held the second celebration of the Nemean games, that of Adrastus being the first.

Lescheos says of Aethra that, when Troy was taken, she came stealthily to the Greek camp. She was recognized by the sons of Theseus, and Demophon asked for her from Agamemnon. He was ready to grant Demophon the favour, but said that Helen must first give her consent. He sent a herald, and Helen granted him the favour. So in the painting Eurybates appears to have come to Helen to ask about Aethra, and to be saying what he had been told to say by Agamemnon.

The Trojan women are represented as already captives and lamenting. Andromache is in the painting, and near stands her boy grasping her breast; this child Lescheos says was put to death by being flung from the tower, not that the Greeks had so decreed, but Neoptolemus, of his own accord, was minded to murder him. In the painting is also Medesicaste, another of Priam's illegitimate daughters, who according to Homer left her home and went to the city of Pedaeum to be the wife of Imbrius, the son of Mentor.

Andromache and Medesicaste are wearing hoods, but the hair of Polyxena is braided after the custom of maidens. Poets sing of her death at the tomb of Achilles, and both at Athens and at Pergamus on the Calcus I have seen the tragedy of Polyxena depicted in paintings.

The artist has painted Nestor with a cap on his head and a spear in his hand. There is also a horse, in the attitude of one about to roll in the dust. Right up to the horse there is a beach with what appear to be pebbles, but beyond the horse the sea-scene breaks off.

Above the women between Aethra and Nestor are other captive women, Clymene, Creusa, Aristomache and Xenodice. Now Stesichorus, in the Sack of Troy, includes Clymene in the number of the captives; and similarly, in the Returns, he speaks of Aristomache as the daughter of Priam and the wife of Critolaus, son of Hicetaon. But I know of no poet, and of no prose-writer, who makes mention of Xenodice. About Creusa the story is told that the mother of the gods and Aphrodite rescued her from slavery among the Greeks, as she was, of course, the wife of Aeneas. But Lescheos and the writer of the epic poem Cypria make Eurydice the wife of Aeneas.

Beyond these are painted on a couch Deinome, Metioche, Peisis and Cleodice. Deinome is the only one of these names to occur in what is called the Little Iliad; Polygnotus, I think, invented the names of the others. Epeius is painted naked; he is razing to the ground the Trojan wall. Above the wall rises the head only of the Wooden Horse. There is Polypoetes, the son of Peirithous, his head bound with a fillet; by his side is Acamas, the son of Theseus, wearing on his head a helmet with a crest on it.

There is also Odysseus...and Odysseus has put on his corselet. Ajax, the son of Oileus, holding a shield, stands by an altar, taking an oath about the outrage on Cassandra. Cassandra is sitting on the ground, and holds the image of Athena, for she had knocked over the wooden image from its stand when Ajax was dragging her away from sanctuary. In the painting are also the sons of Atreus, wearing helmets like the others; Menelaus carries a shield, on which is wrought a serpent as a memorial of the prodigy that appeared on the victims at Aulis.

Under those who are administering the oath to Ajax, and in a line with the horse by Nestor, is Neoptolemus, who has killed Elasus, whoever Elasus may be. Elasus is represented as a man only just alive. Astynous, who is also mentioned by Lescheos, has fallen to his knees, and Neoptolemus is striking him with a sword. Neoptolemus is the only one of the Greek army represented by Polygnotus as still killing the Trojans, the reason being that he intended the whole painting to be placed over the grave of Neoptolemus. The son of Achilles is named Neoptolemus by Homer in all his poetry. The epic poem, however, called Cypria says that Lycomedes named him Pyrrhus, but Phoenix gave him the name of Neoptolemus (young soldier) because Achilles was but young when he first went to war.

In the picture is an altar, to which a small boy clings in terror. On the altar lies a bronze corselet. At the present day corselets of this form are rare, but they used to be worn in days of old. They were made of two bronze pieces, one fitting the chest and the parts about the belly, the other intended to protect the back. They were called gyala. One was put on in front, and the other behind; then they were fastened together by buckles.

They were thought to afford sufficient safety even without a shield. Wherefore Homer speaks of Phorcys the Phrygian as without a shield, because he wore a two-piece corselet. Not only have I seen this armour depicted by Polygnotus, but in the temple of Ephesian Artemis Calliphon of Samos has painted women fitting on the gyala of the corselet of Patroclus.

Beyond the altar he has painted Laodice standing, whom I do not find among the Trojan captive women enumerated by any poet, so I think that the only probable conclusion is that she was set free by the Greeks. Homer in the Iliad speaks of the hospitality given to Menelaus and Odysseus by Antenor, and how Laodice was wife to Helicaon, Antenor's son.

Lescheos says that Helicaon, wounded in the night battle, was recognized by Odysseus and carried alive out of the fighting. So the tie binding Menelaus and Odysseus to the house of Antenor makes it unlikely that Agamemnon and Menelaus committed any spiteful act against the wife of Helicaon. The account of Laodice given by the Chalcidian poet Euphorion is entirely unlikely.

Next to Laodice is a stone stand with a bronze washing-basin upon it. Medusa is sitting on the ground, holding the stand in both hands. If we are to believe the ode of the poet of Himera, Medusa should be reckoned as one of the daughters of Priam. Beside Medusa is a shaved old woman or eunuch, holding on the knees a naked child. It is represented as holding its hand before its eyes in terror.

There are also corpses: the naked man, Pelis by name, lies thrown on his back, and under Pelis lie Eioneus and Admetus, still clad in their corselets. Of these Lescheos says that Eioneus was killed by Neoptolemus, and Admetus by Philoctetes. Above these are others: under the washing-basin is Leocritus, the son of Pulydamas, killed by Odysseus; beyond Eioneus and Admetus is Coroebus, the son of Mygdon. Of Mygdon there is a notable tomb on the borders of the Phrygians of Stectorium, and after him poets are wont to call Phrygians by the name of Mygdones. Coroebus came to marry Cassandra, and was killed, according to the more popular account, by Neoptolemus, but according to the poet Lescheos, by Diomedes.