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A praise poem of Šulgi (Šulgi B)

Sumerian literature (ETCSL) · 2 - Royal praise poetry and compositions with a historical background · 385 sections

  1. 301

    lugal-bi ki-ĝiri3-ĝen-na ḫe2-du inim-ma-ni al-ze2-er

  2. 302

    un-ga-til3 ud til3-la-ni-a

  3. 303

    niĝ2 usu-na ḫe2-en-ak en3-du me-da tum3

  4. 304

    lugal-me-en in-ga-zu-a-ta niĝ2-me-ĝar gu3 i3-de2

  5. 305

    ĝeštug2-ĝeštug2-ga dirig-ga-ĝu10-še3

  6. 306

    um-mi-a-gin7 mu libir-ra-ĝu10-še3

  7. 307

    niĝ2-umun2-a en3-du-ĝu10 ḫe2-en-pad3-de3 mul-an ḫe2-u3-tud

  8. 308

    sig-še3 urim5{ki}-ma ki sikil-la bi2-mu2

    In the south, in Urim, I caused a House of the Wisdom of Nisaba to spring up in sacrosanct ground for the writing of my hymns; up country in Nibru I established another. May the scribe be on duty there and transcribe with his hand the prayers which I instituted in the E-kur; and may the singer perform, reciting from the text. The academies are never to be altered; the places of learning shall never cease to exist. This and this only is now my accumulated knowledge! The collected words of all the hymns that are in my honour supersede all other formulations. By An, Enlil, Utu and Inana, it is no lie -- it is true!

  9. 309

    e2-ĜEŠTUG2.{d}NISABA mul en3-du-ĝa2-ka

  10. 310

    nim-še3 nibru{ki}-a ki-gal-la bi2-gub

  11. 311

    šudu3 e2-kur-ra ki ḫe2-us2-sa-ĝu10-uš

  12. 312

    dub-sar ḫe2-gub šu-ni ḫe2-eb-dab5-be2

  13. 313

    nar ḫe2-gub gu3 ḫu-mu-un-ne2-re-de2

  14. 314

    e2-dub-ba-a da-ri2 ḫur nu-kur2-ru-dam

  15. 315

    ki-umun2 da-ri2 ḫur nu-silig-ge-dam

  16. 316

    ĝeštug2 dab5-ba-ĝu10 i3-ne-eš2 ne-e ur5-ra-am3

  17. 317

    niĝ2 ka-ge dib-ba ki-šar2-ra

  18. 318

    ĝiri3-ĝen-na inim en3-du-ĝa2-kam a-na mu-ši-ĝal2-la

  19. 319

    an {d}en-lil2 {d}utu {d}inana lul ba-ra-na ḫe2-ge-en

  20. 320

    u3 nam-erim2-e lu2 na-an-ga-am3-me

    Furthermore no one will assert under oath that to this day there is any mention in my inscriptions of a single city that I have not devastated, or wall that I have not demolished, or land that I have not made tremble like a reed hut, or praise that I have not completely verified. Why should a singer put them in hymns? An eminent example deserves eternal fame. What is the use of writing lies without truth? For me, the king, the singer has recorded my exploits in songs about the strength of the protective deity of my power; my songs are unforgettable, and my words shall not fall into oblivion. I am the best king of the Land. From the very first origins until the full flourishing of mankind, there will never be any king who can measure himself against my achievements whom An will let wear his crown or wield his sceptre from a royal throne.

  21. 321

    ud ne-e mu-sar-ra-ĝu10-a

  22. 322

    iri nu-mu-un-gul-la bad3 nu-mu-un-sig10-ga-ĝu10

  23. 323

    kur gi-sig-gin7 nu-mu-un-dub2-ba-ĝu10

  24. 324

    ar2 zag li-bi2-til-til-la-ĝu10

  25. 325

    a-na-gin7-nam nar-e en3-du-a mu-ši-ĝa2-ĝa2-a

  26. 326

    niĝ2-umun2-a saĝ-kal mu da-ri2-kam

  27. 327

    niĝ2-lul niĝ2-gen6-na nu-me-a sar-re-bi a-na-gin7-nam

  28. 328

    lugal-me-en a2-ĝa2 {d}lamma-bi kalag-ga-na šir3-bi-im

  29. 329

    ki-ĝiri3-ĝen-na-ĝu10 nar-e mu-ši-in-ĝar

  30. 330

    en3-du-ĝu10 niĝ2 nu-ḫa-lam-e-de3

  31. 331

    inim-ĝu10 niĝ2 ka-ta nu-šub-bu-de3

  32. 332

    ĝe26-e lugal kalam-ma dug3-ga-me-en

  33. 333

    numun ba-i-i-ta zag uĝ3 lu-a-še3

  34. 334

    lugal niĝ2-ĝa2 niĝ2 bi2-in-sig10-ga-am3

  35. 335

    aga-ni an-ne2 ba-ra-ba-ta-an-il2

  36. 336

    ĝidru-ni barag nam-lugal-la-ta ba-ra-ba-ta-ed3-de3

  37. 337

    kalag-ga nam-kug-zu ĝeštug2 šum2-ma-me-en

    I am gifted with power, insight and wisdom. The high point of my great deeds is the culling of lions before the lance as if they were garden weeds, the snapping of fierce felines like reeds as if under the carding-comb, and the crushing (?) of their throats under the axe as if they were dogs. Great powerful wild cows, indomitable bulls, cattle on their way to their mountain pastures, which were killed in the plain, were …… the mountains. That the hills were impenetrable and inaccessible …… -- those are pure lies. Where, in important words on tablets, my wisdom and my power (1 line unclear) He who knows, and does not …… the truth about me as lies, will applaud and praise me.

  38. 338

    niĝ2 gal-gal-ĝa2 zag-bi til-la

  39. 339

    piriĝ igi {urud}šukur-ra ga-raš{sar}-gin7 šab-šab-e

  40. 340

    nemurx(PIRIĜ.TUR) šu zig3-ga igi {ĝiš}ga-rig2-ak gi-gin7 ša5-ša5-dam

  41. 341

    zi-bi ur-gir15-gin7 {urud}dur10-uš NE-NE-ga

  42. 341A

    sumun2 usu gal-gal gud a2 nu-gi4-a

  43. 343

    gud kur-bi-še3 DU-ba edin-na mi-ni-gaz-za

  44. 344

    kur-ba šu-a bal-e-da-bi

  45. 345

    ḫur-saĝ niĝ2 šag4-ge nu-gid2-i-gin7

  46. 346

    šag4-ge šu nu-teĝ3-ĝe26-e-gin7 ib2-ak

  47. 347

    inim ib2-ta-DU.DU i-gi4-in-zu lul na-nam

  48. 348

    ki nam-dub-ba inim dugud-dugud-da-bi

  49. 349

    nam-kug-zu-ĝu10 nam-kalag-ga-ĝu10

  50. 350

    a2 ĝal2 taka4-a ki silim-eš2 di-ĝa2

  51. 351

    mu-un-zu-a-na nu-mu-un-[…]-⌈na⌉

  52. 352

    niĝ2-gen6-na-ĝu10 niĝ2-lul-la-gin7

  53. 353

    šu teš2-a mu-un-ru-gu2 ka tar-ra mu-un-si-il-le

  54. 354

    ur-saĝ kalag-ga-ni kalag-ga rib-ba-me-en

    I am a warrior whose might is enormous might. I am Šulgi, whose shadow lies over the mountain lands. I am the king, the weapon and the downfall of rebel lands. Thus I have spread far and wide my everlasting renown.

  55. 355

    {d}šul-gi ĝissu-a-ni kur-ra la2-a-me-en

  56. 356

    lugal {ĝiš}tukul a-RU-ub ki-bal-na ĝe26-e-me-en

  57. 357

    mu da-ri2-ĝu10 a2 gal bi2-su3-ud

  58. 358

    i3-ne-eš2 {d}utu ud ne-a-a

    Now, I swear by Utu on this very day -- and my younger brothers shall be witnesses of it in foreign lands where the sons of Sumer are not known, where people do not have the use of paved (?) roads, where they have no access to the written word -- that the firstborn son is a fashioner of words, a composer of songs, a composer of words, and that they will recite my songs as heavenly writings, and that they will bow down before my words as a …… (8 lines fragmentary)

  59. 359

    kur dumu ki-en-gi-ra nu-zu-ba

  60. 360

    sa-dur2 kaskal-bi-še3 šu la-ba-ĝal2-la-ba

  61. 361

    zag-ba ka-inim-ma lu2 nu-gub-gub-ba

  62. 362

    šeš di4-di4-la2 lu2-inim-ma-be2-ne

  63. 363

    dumu-saĝ inim u3-tud šir3 kad4 inim kad4-bi-im

  64. 364

    šir3-ĝa2 mul-an-gin7 gu3 im-de2-e-ne

  65. 365

    inim-ĝu10-ta X-gin7 ki im-tag-tag-ge-ne

  66. 366

    […] buru5{mušen} DU-a-gin7

  67. 367

    […]-da la-ba-an-dug4

  68. 368

    […] zag til-la-me-en

  69. 369

    […] X-ba nir-ĝal2-me-en

  70. 370

    […]-a mu-da-an-zu

  71. 371

    […] ĜAR […] ⌈su3⌉-ud-da

  72. 372

    [X] X X X X ĝe26-e-me-en

  73. 373

    [X X] X tag-tag-da-bi

  74. 374

    e2-bi-a lu2 si sa2-bi kun4 dib-be2-me-en

    For that house, I am the right man to step over the threshold. I am the man whose name has been chosen by Nanna. I am the steward of Enlil's temple, the domestic slave of An. I am Šulgi, and my house E-ḫursaĝ is the palace of palaces. My royal residence is above all praise; I made it tower up like a lapis-lazuli mountain. Inana, the queen of the gods, the protective deity of my power, has perfected the songs of my might -- the foremost among kings -- in respect of everything in the whole world. It is good to praise me. Praise be to Nisaba.

  75. 375

    lu2 mu pad3-da {d}nanna-me-en

  76. 376

    saĝ us2 e2 {d}en-lil2-ka ama-a-tud an-na-me-en

  77. 377

    {d}šul-gi-me-en e2-ĝu10 e2-ḫur-saĝ e2-gal e2-gal-bi-im

  78. 378

    ki-tuš nam-lugal-ĝa2 za3-mi2 gal-gal-la-kam

  79. 379

    ḫur-saĝ za-gin3-na-gin7 ša-ba-an-galam-en

  80. 380

    {d}inana nin diĝir-re-e-ne-ke4

  81. 381

    a2-ĝa2 {d}lamma-bi-im kalag-ga-ĝa2 šir3-bi-im

  82. 382

    lugal-lugal-e-ne-er dirig-ga-me-en

  83. 383

    niĝ2 ki-šar2-ra-ke4 šu mi-ni-in-du7

  84. 384

    za3-mi2-ĝu10 dug3-ga-am3

  85. 385

    {d}nisaba za3-mi2

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The Electronic Text Corpus of Sumerian Literature (ETCSL), Faculty of Oriental Studies, University of Oxford. Copyright holders: Jeremy Black, Graham Cunningham, Jarle Ebeling, Esther Flückiger-Hawker, Eleanor Robson, Jon Taylor and Gábor Zólyomi. Licence: CC BY-NC-SA 3.0. Source.