A praise poem of Išme-Dagan (Išme-Dagan A + V)
- A.300
{urud}alan ak-a saĝ X X-ke4
- A.301
{d}en-lil2 lugal an ki-ke4
- A.302
ki X-ni um-ši-in-zig3-ga-še3 a-gin7 ?-a gub
- A.303
su piriĝ sa piriĝ-ĝa2 zag piriĝ-ĝa2
- A.304
⌈?⌉ […]
- A.305
šita X [X (X)] ĝissu [X (X)] IM ⌈?⌉ [(X)] X
- A.306
? ?-lugal-la [X X (X)] til-la X [X (X)] X-ba lugal-ĝu10-ra a ḫa-mu-na-ru
- A.307
ĝiš maḫ ki u6 di-še3 ḫe2-ni-laḫ4
- A.308
{d}nin-lil2 nin diĝir-re-e-ne-ra
- A.309
X munus-a ki kug-kug-ga-na
- A.310
e2-šen-šen-[na] nam-til3 si-a-[na]
- A.311
{urud}alan gal-gal-ĝu10 ḫu-mu-na-ni-kur9
- A.312
igi-ni-še3 ḫu-mu-[ni]-?
- A.313
ḫu-[X X] ⌈nam⌉-[til3-la]-⌈ĝu10-še3⌉ [a ḫu-mu]-na-ru
- A.314
ĝe26-e-me-en lu2 [X X] RA sag9-ga-ĝu10
- A.315
{d}iš-me-{d}da-gan-me-en sa-ra-ĝu10 ḫe2-sag9
- A.316
{urud}alan ad-da tud-da-ĝu10
I also brought into the temple of Enlil and my lady Ninlil a copper statue of my own father. …… copper statue of my grandfather. I brought out …… statue, and brought it into the temple of Enlil. I …… it in the E-kur, the …… shrine. (6 lines fragmentary or unclear) I am the king …… Enlil, the patient lord. (1 line fragmentary)
- A.317
e2 {d}en-lil2-la2-ka {d}nin-lil2 nin-ĝa2-ka ĝe26-e-me-en ḫu-mu-ni-kur9
- A.318
{urud}alan a-a gu-la-ĝu10 [(X)] X-ne-? X IŠ-am3
- A.319
X mu-⌈?⌉ {urud}alan ḫu-mu-ni-ed3
- A.320
e2 {d}en-lil2-ka ḫu-mu-ni-kur9
- A.321
e2-kur eš3 X A ḫu-mu-ni-X
- A.322
[…]
- A.323
[… ḫu]-mu-ni-[X]
- A.324
niĝ2 babbar-re nu-ub-ta-an-? e2 {d}? [ḫe2]-em-mi-ak
- A.325
[…]
- A.326
? ⌈nam⌉ […] ? uĝ3 SI […]
- A.327
X […] inim dug4-⌈?⌉ [X (X)]
- A.328
{d}en-[lil2] en šag4 su3-⌈ra2⌉ [X] lugal ĝe26-[e-me-en]
- A.329
ĝiš ĝeštug2-ke4 ĝal2 X […-taka4]
- A.330
⌈za3⌉-mi2-ĝu10 ka-ka-⌈ga⌉ ḫe2-ni-ĝar-ĝar
I made sure that my praise was spoken, by creating numerous songs to Ĝeštin-ana, the honey-mouthed lady. I installed …… my scholars and chief singers. The skilful singers composed for me adab, tigi, šumunša, malgatum, šir-gida, royal praise poems perfect in content, araḫi, balbale, zamzam and kunĝar compositions. They magnify my name in the places where odes are performed. That I am omniscient and broad in wisdom, that I am knowedgeable (?) about the …… of the troops, that I direct the people as a wise shepherd who is brilliant (?) in the face of weapons, that I am skilful in everything, that An has looked favourably on me, that by the word of Enlil ……, that Ninlil is my protection, that Enki has given me wisdom, that Ninurta is all for me (?), that Nanna loves me greatly, that I am the son-in-law of Ningal, that Inana has made me attractive, (2 lines broken or unclear)
- A.331
{d}ĝeštin-an-na nin ka lal3-a-ĝu10-u8
- A.332
šir3-šir3-ra ḫe2-em-mi-dirig-dirig
- A.333
um-mi-a nar gal-gal-e-ne
- A.334
šag4-ba la-la2 ḫe2-ni-in-ĝar
- A.335
a-da-ab tigi2 šumun-ša4 ma-al-ga-tum
- A.336
šir3-gid2-da <za3>-mi2 nam-lugal-ĝu10 šag4-bi niĝ2 til-la
- A.337
a-ra-ḫi bal-bal-e za-am-za-am kun-ĝar-bi
- A.338
nar gal-an-zu-ne ma-an-ĝar-re-eš-a
- A.339
en3-du ki du12-ba mu-ĝu10 mi-ni-gal-eš-a
- A.340
niĝ2-nam zu ĝeštug2 daĝal-la-ĝa2
- A.341
tum2-tum2-mu erin2-na mu-zu-a-ĝa2
- A.342
ki {ĝiš}tukul-la-ka igi mi-ni-zalag-ga
- A.343
sipad kug-zu uĝ3 laḫ4-laḫ4-e-ĝa2
- A.344
gal-zu niĝ2-nam-ma i3-me-en-na-ĝa2
- A.345
an-e igi zid mu-ši-in-bar-ra
- A.346
inim {d}en-lil2-la2-ta kalag ni2-bi ĝal2-la
- A.347
{d}nin-lil2 an-dul3-ĝu10 i3-me-a
- A.348
{d}en-ki-ke4 ĝeštug2 ma-an-šum2-ma
- A.349
{d}nin-urta-ke4 mu-ši-in-ĝal2-la
- A.350
{d}nanna gal-le-eš ki ma-an-aĝ2-ĝa2
- A.351
mussa {d}nin-gal i3-me-en-na-ĝa2
- A.352
{d}inana-ke4 ḫi-li ma-an-šum2-a
- A.353
?{ki} […]
- A.354
[…]
- A.355
in-ĝu10 ?-ba ki-ĝu10 sur-ra
My boundaries are marked, my borders are fixed; my embankments are piled up, my irrigation ditches are ……. …… at which the foreign lands bow down; it is wool from the highlands …….
- A.356
eg2-ĝu10 sig9-ga pa5-ĝu10 […]
- A.357
? X-a-ta kur-kur mu-gam-ma
- A.358
siki igi-nim-? [X] X ḫe2-em
- A.359
nam-dub-sar ki nam-galam-ma […] usu bi2-DU-a
That the scribal art, in the place of skilled craftsmanship, …… power; that I have understood the contents of tablets, counting and reckoning in all their depth and breadth, checking, coefficients, establishing the surface of a field, and laying out the reed measuring-pole; that I have …… on the podium, my chosen place; that I have learnt with my talented hands, my pure hands, to write the tablets of Sumer and Akkad; that I have lent lustre to the academy by completely mastering the reed stylus and the scribal art; that I have devoted myself to the art of singing, and know the occasions when praise songs are to be sung; that I am eminent in the performance style for …… songs; that I know how to intersperse appropriate words with the accompaniment of the fingers and instruments; that I have mastered the drumsticks, the sa-eš, the sabitum, the ḫarḫar and the zanaru instruments; that I have occupied myself with completely mastered the developed aspects of the art of singing and the recondite points of …… songs -- all these things the scholars and the composers of my …… songs have put in my great songs and have declared in my hymns.
- A.360
⌈šag4⌉ dub-ba šudum niĝ2-šid buru3 daĝal-la kurum7-bi mu-bur2-ra
- A.361
⌈igi-gub⌉-bu gana2 gen6-ne2 ĝiš-as4-lum gi e3
- A.362
⌈ki-?⌉-ba ki igi il2-la-ĝu10-še3 temen šu4-ga kalam ri-ĝa2
- A.363
⌈šu sag9⌉ šu tam-tam-ma-ĝa2
- A.364
⌈dub⌉ ki-en-gi ki-uri-ka sar-re-bi mu-un-zu-a
- A.365
[e2]-⌈dub⌉-ba-a šu mi-ni-mul-mul-la
- A.366
[gi]-⌈?⌉-ba dub nam-dub-sar-ra zag im-mi-til-la
- A.367
⌈nam⌉-nar-ra a2-ĝu10 ba-e-šum2-ma
- A.368
za3-mi2 ki di-bi mu-zu-a
- A.369
ŠIR3.NAR ad ša4-ba nir mi-ni-ib-ĝal2-la
- A.370
sa šu-si ĝiš-gu3-di-da inim suḫ-suḫ bal-e-bi mu-zu-a
- A.371
{ĝiš}al-ĝar-sur9 {ĝiš}sa-eš ⌈sa-bi2⌉-tum
- A.372
{ĝiš}ḫar-ḫar za-na-ru sa2 bi2-dug4-ga
- A.373
nam-nar-a ki bal-bal-a-bi
- A.374
šag4 ŠIR3.NAR-da ki dul-dul-la-bi zag im-mi-us2-sa im-til-la
- A.375
um-mi-a ŠIR3.⌈NAR ĝar⌉-ĝar-ĝu10-ne
- A.376
šir3 gal-gal-ĝa2 ⌈mi-ni⌉-ĝar-re-eš-a
- A.377
za3-mi2-ĝa2 mi-⌈ni-in⌉-pad3-pad3-de3-eš
- A.378
lugal kalag-ga šu X X X ak
The powerful king ……, if he stands by Enlil with upraised hands, should swear in the name of the gods ……. Everything that is in my odes, or which is written on my stela, is definitely not false, but genuine! Reverence for me should be in every mouth.
- A.379
{d}en-lil2-la2 šu ⌈il2-il2⌉-la-ni ⌈mu-na⌉-da-gub-ba
- A.380
mu diĝir-re-e-ne nam-erim2 X […]-gin7 ḫe2-ni-kud-de3
- A.381
niĝ2 en3-du-ĝa2 a-na ⌈ab⌉-ĝal2-la
- A.382
na-du3-a-ĝa2 a-na ab-sar-[ra] ⌈lul⌉ ba-ra-na ḫe2-⌈ge⌉-[en]
- A.383
mi2 dug4-ga-ĝu10 ka-ga14 ḫu-⌈mu⌉-ĝal2
- A.384
e2-a šir3-ĝu10 ?-zal-le-eš ⌈ḫe2⌉-em-me
In the temple my songs should be performed splendidly (?), and my odes should be handed down. Their attractiveness should be right in the heart of the Land, and mouths should carry the words as far as its borders. …… the requirements of the banquet; he should put their attractiveness into the heart ……; …… may Ĝeštin-ana be their protective goddess. …… treasures, lasting property of the king's heirs, jewels of lordship which cannot be ……, fixing them forever in the mouth of the singers.
- A.385
en3-du-ĝu10 šu-a ḫu-mu-un-⌈bal⌉-e
- A.386
la-la-bi šag4 kalam-ma-ka ḫu-[mu]-ĝal2
- A.387
zag-bi-a inim ka-ge-e ḫe2-⌈em⌉-tum3
- A.388
ki ?-ka al di-bi ḫe2-[…] X X X
- A.389
[X] X X la-la-bi šag4-ga ḫu-mu-ĝa2-ĝa2
- A.390
[…] {d}ĝeštin-an-na {d}lamma-bi ḫe2-a
- A.391
[…] ⌈erim3⌉ niĝ2 da-ri2 ibila lugal-la
- A.392
gi16-sa nam-en-na niĝ2 šu nu-[…]-gid2
- A.393
ka nar-e-ne-ka su3-ud-še3 ge-en
- A.394
ĝe26-e-me-en {d}en-lil2-la2 sa2-dug4 […] ki-ke4 bi2-dug4
I have …… the regular offerings of Enlil. …… Nibru, the pleasant place; I have put in order the plans of Sumer and Akkad. Therefore Enlil my master has made my days ……, and as he has made my reign follow another reign, so may he make my descendants even greater.
- A.395
nibru{ki} ki sag9-ga šu […] X […]
- A.396
ki-en-gi ki-uri ĝiš-ḫur-bi si [ḫe2-em-mi-sa2]
- A.397
ur5-še3-⌈am3⌉ {d}en-lil2 lugal-ĝu10 ud-ĝu10 X X X
- A.398
bal-ĝu10 bal-a im-mi-us2-sa
- A.399
šag4-bal-bal-ĝu10 ḫe2-⌈em-da-gal⌉-gal
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The Electronic Text Corpus of Sumerian Literature (ETCSL), Faculty of Oriental Studies, University of Oxford. Copyright holders: Jeremy Black, Graham Cunningham, Jarle Ebeling, Esther Flückiger-Hawker, Eleanor Robson, Jon Taylor and Gábor Zólyomi. Licence: CC BY-NC-SA 3.0. Source.